Apprenticeship #2
How to write a great song from start to finish (level 2)
Ray Harmony
Welcome
Network
Finished Song (WAV)
Finished Song (MIDI)
Lyrics (PDF)
Hack Music Theory, Part 1 (PDF)
Songwriting & Producing (PDF)
Songwriting & Producing (MIDI)
Hack Drum Beats (PDF)
Hack Drum Beats (MIDI)
Hack Drum Fills (PDF)
Hack Drum Fills (MIDI)
Introduction, conceptualizing, song-whispering, instruments, etc. – Part 1
Introduction, conceptualizing, song-whispering, instruments, etc. – Part 2
Introduction, conceptualizing, song-whispering, instruments, etc. – Part 3
Polymeter, rhythm for vocal lines, bass line, drum beat, etc. (Verse)
Asking your song, realistic drum beat & fill, pick a mode, etc. (Verse) – Part 1
Asking your song, realistic drum beat & fill, pick a mode, etc. (Verse) – Part 2
Song-screaming, finish bass, start counterpoint vocals, etc. (Verse)
Game-changing polymeter hack, Phrygian counterpoint, etc. (Verse)
Two chord progressions for two melodies in two modes, etc. (Verse)
New section, octatonic scale, odd time signature, bass line, etc. (Pre)
Transitioning, scales hiding in scales, counterpoint, drums, etc. (Pre)
Chords, seamless chordal transitioning, melodic variations, etc. (Pre)
One hack for any & all modulations, sketching transitions, etc. (Pre)
Growing songs organically, writing with no scale/mode, etc. (Chorus)
Your song’s wants vs. needs, temporary modulations, etc. (Chorus)
Melodic variations but without changing notes, drums, etc. (Chorus)
Sounds like a song, structuring, counterpoint to chords, etc. (Chorus) – Part 1
Sounds like a song, structuring, counterpoint to chords, etc. (Chorus) – Part 2
“Holy Trinity” of music, arranging, where/how to bridge, etc. (Bridge) – Part 1
“Holy Trinity” of music, arranging, where/how to bridge, etc. (Bridge) – Part 2
Broaden your music’s horizons, 12 tone method, big riff, etc. (Bridge) – Part 1
Broaden your music’s horizons, 12 tone method, big riff, etc. (Bridge) – Part 2
Lead melody over note-row bass line, explosive drums, etc. (Bridge)
Making a note-row sound like a key, four-part harmony, etc. (Bridge) – Part 1
Making a note-row sound like a key, four-part harmony, etc. (Bridge) – Part 2
Melody like no other, 3-part counterpoint like no other, etc. (Bridge)
Harmonizing a melody with something totally different, etc. (Bridge)
Varying to create the evolution of a melody, transition, etc. (Bridge)
Irrational time signature, big finale, finishing the song, etc. (Ending)
Make or break, structuring & arranging for maximum retention, etc.
Arranging rhythm section (bass & drums), flow, energy curve, etc. – Part 1
Arranging rhythm section (bass & drums), flow, energy curve, etc. – Part 2
Final structure, arrange all the other instruments, signing off, etc. – Part 1
Final structure, arrange all the other instruments, signing off, etc. – Part 2
Multitrack playthrough of finished song (mixed & mastered)
Anyone who has finished Apprenticeship 1 and is wondering 'Do I really need Apprenticeship 2?', I would say the answer is a resounding 'Yes!' This course bui...
Read MoreAnyone who has finished Apprenticeship 1 and is wondering 'Do I really need Apprenticeship 2?', I would say the answer is a resounding 'Yes!' This course builds on everything Ray and Kate teach in the first apprenticeship course and takes you further down the rabbit hole of what is possible with your music making when you have music theory to guide you. My main takeaway from this second course is that Ray's song-whispering method is the real deal. It will always take you from the seed of an idea to a finished song if you just trust in the process. The genius of his method lies in the fact that you can let the song lead you as it unfolds, rather than steering it in a pre-determined direction from the outset. This keeps everything fresh as you find yourself writing sections you had no preconceived notion of when you started out. I cannot thank Ray and Kate enough for providing me with this new skill I can call upon whenever I need to scratch that creative itch!
Read LessAs a music theory noob, it's a much needed insight of an expert approach to songwriting. I learned so much about feeling and conceptualising (the song whispe...
Read MoreAs a music theory noob, it's a much needed insight of an expert approach to songwriting. I learned so much about feeling and conceptualising (the song whispering technique!) along with the theory foundation to start experimenting confidently. Kate and Ray go through simple and complicated music building processes in a light, fun, artistic and logical way. It is a beast and it really shows the amount of knowledge and skill required to write proper song. Gives a good song structure road map - the purpose of the verse, chorus, bridge and other types of parts and transitions; as demonstrated. I love that that all of the theory and structure is a pretence to breaking the rules and flexing your creative muscles; which they encourage and give you ideas for. As Ray says "You gotta know the rules to break them". It is, without a doubt, the best music making investment I have made - what use are monitors if you cant shift comfortably between keys, modes and time signatures? I don't have anything negative to say but I would point out that it can be a steep learning curve that takes some dedication to get the full learning benefits. Amateurs and veterans will love it - noobs should be on the committed enthusiast level.
Read LessI loved it.. I spent almost 2 months on this while writing a new tune. The difference is mine is a instrumental and I wanna add me playing guitar to it befor...
Read MoreI loved it.. I spent almost 2 months on this while writing a new tune. The difference is mine is a instrumental and I wanna add me playing guitar to it before I release it. Sadly I will miss my 2 favorite instructors.. I really feel this time I have a map from the intro to the end. My goals are to not follow trends Keep voice whispering , poly-metering and use some flapping.. lol From this day forward I'm going let my music talk to me and not copy and paste the same sections without variations. Keep the energy flowing and use different modes, odd scales and harmony. This is my goal.. Franz
Read Lessbig up! big up!
big up! big up!
Read Less